Every exchange is in some way and unprincipled negotiation. The success or failure of any negotiation is measured as set up against how much one party gets compared to how much the other party does not get. While the details are variable, the one constant is the idea of ‘economy’, the currency of negotiation, by […]
Clyde Terry’s life story reads like Superhero fiction. Sergeant Terry is a retired 25-year veteran of the Los Angeles County Sheriff’s Department and former U.S. Marine. In 2003, he took a leave of absence from the Sheriff’s Department to assist the U.S. State Department as an International Police Advisor in their rebuilding efforts in Iraq. […]
“If you’re not haunted by something, as by a dream, a vision, or a memory, which are involuntary, you’re not interested or even involved.” ― Jack Kerouac, Book of Sketches Every mark is a sign, a message, a gesture, rooted in the moment. The first artist according to Greek mythology was Kora, the daughter of […]
Music is the only invisible art, it exists only when we hear it. And because of its intrinsically ephemeral nature, music is the art closest to thought; because we cannot hold it or grasp it or put it in our pockets, the only way we can make music ‘real’ is by bringing it into our tangible, physical, visible world.
I created my museum out of love for the beauty of these splendid, intelligent, inspired creatures, none of whose deaths I caused. My profound knowledge of the natural taxonomy of their graceful identities, as soon to be extinct living artwork of the Lord, leaves me in contempt of those who would approach my temple to the Ark with anything less than faith in me and my severe judgment upon them all.
More than once I’ve described my role as an artist like that of a virus; for me, the work has to be something that creates a mental shift, and drives the unconscious into new, unexpected realms.
Kwang Young Chun has a story to tell. The Korean visual artist who loves fishing in the quiet countryside is the force behind a career of stunning and meaningful work that gives insight into the history and culture of his homeland.
A museum curator since she was 20, Dominique de Font-Réaulx came into her own surrounded by the world’s most celebrated works of art. Rembrandt, Cézanne, Ingres, Courbet – the glorious masters of canvas are her life’s work. No doubt influenced by the compelling presence of these paintings, the Parisian-based curator and historian began exploring the effect on painters of a new medium that exploded onto the 1800s art scene: photography.
There is so much a singer can do to convey a story to their audience with these lyrics in an intimate cabaret room. For the audience, it transports. For the performer, it’s pure joy.
The beauty of the book is that it has not changed its form. It remains as Gutenberg designed it, leaves bound between covers, handy enough to be held in our arms. A book comes alive when it is opened, and it is here that the magic and mystery begin, as we turn the page and discover a new world held together by concept, content, and the quality of production itself. We are fortunate to have this opportunity to speak with Gerhard Steidl about his life’s work, as a single force who continues to honor the art of book making through his exquisite publishing programme.